In writer-director Colin West’s ( Double Walker) sophomore feature, Jim Gaffigan stars as a suburban father whose dreams of becoming an astronaut resurface when a satellite crashes into the suburban home he shares with his wife (Better Call Saul’s Rhea Seehorn) and daughter (Katelyn Nacon).
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While IndieWire's Kristen Lopez cautions that Plainville "too often falls into the Hulu trap of simply reenacting, presenting the facts and little more," she also finds it, at times, "dreamy, disturbing, and impeccably acted by Fanning and Ryan." Variety's Daniel D'Addario also notes some imperfections, particularly in its bloated runtime and how it handles the courtroom scenes (a complaint echoed in Consequence by Danette Chavez), but also admires the performances and the show's "careful and sensitive approach to a challenging story." And in a B+ review at The Playlist, Emma Fraser sees a "captivating" series led by Fanning's "uncanny" performance.Ĭomedy/Drama/Sci-fi | USA | Directed by Colin West Colton Ryan, Chloë Sevigny, and Norbert Leo Butz also star, while Lisa Cholodenko ( The Kids Are All Right) directs multiple episodes, including the opener that screened at SXSW to a mostly positive reception from critics (which has since grown into a more enthusiastic response as additional reviews have come in). TV/Drama | USA | Directed by Lisa CholodenkoĪdapted from an Esquire article about the highly publicized true story of teenager Michelle Carter (Elle Fanning), who was tried and convicted for involuntary manslaughter after using text messages to encourage her boyfriend to kill himself, the eight-episode Hulu miniseries Plainville comes from Liz Hannah ( The Post) and Patrick Macmanus ( Dr.
Robert Daniels is impressed by how the “filmmakers work against their instincts by nurturing expansive emotions before embracing crazed absurdity.” And IndieWire's David Ehrlich echoes that sentiment: “The filmmaking here is so bold and without boundaries that it sometimes feels out of place in such a warm hug of a movie.”
In his review for IGN, Rafael Motamayor writes, “Everything Everywhere All at Once changes the game for what cinematic multiverses can be, with thrilling action, excellent performances, and a world of possibilities.” Aurora Amidon of Paste is similarly smitten, “It’s simply up to the viewer to relinquish control, strap into the rollercoaster seat and trust that the ride will take them somewhere transcendent. Variety critic Peter Debruge believes SXSW’s opening-night premiere to be a “mess, but a meticulously planned and executed mess, where every shot, every sound effect and every sight gag fits exactly as the Daniels intended into this dense and cacophonous eyesore.” But most other critics are on board with Daniels’ maximalist approach.
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Sci-fi/Action/Comedy | USA | Directed by Daniels ( Dan Kwan and Daniel Scheinert)ĭaniels (Daniel Kwan and Daniel Scheinert), the writer-directors behind the best farting-corpse movie of 2016 ( Swiss Army Man) don’t hold anything back in this story of a Chinese-American woman, Evelyn Wang (Michelle Yeoh), who must do inter-dimensional multiverse battle with her own life choices while trying to finish her taxes. is an essential Generation X text, a reverie of childhood before Watergate, when kids drank Tang, adults smoked and the future spelled opportunity instead of eventual apocalypse.” Writing for The Film Stage, John Fink feels Apollo “captures the joy and wonder of childhood,” and may be “Linklater’s warmest and most nostalgic precisely because of its specifics.” IndieWire's David Ehrlich also makes note of those specific details, writing, “Linklater’s bittersweet collage might be glued together from the shreds of semi-related memories, but that emphasis on bite-sized moments in time (many of them specific, others more representational) has the satisfyingly counterintuitive effect of slurring them all together into something unreal.” In his rave for TheWrap, Alonso Duralde writes “his dewy recollection of life in suburban Houston. Using 2D and 3D animation along with the rotoscoping technique he brought to theaters in A Scanner Darkly and Waking Life, writer-director Richard Linklater takes us on a journey through his childhood in Houston during the summer of 1969, when a man walked on the moon for the first time. Animation/Drama | USA | Directed by Richard Linklater
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